Sunday, October 18, 2009

Madakasira fort, only for bravehearts




Just imagine being an amateur trekker risking one’s life that too on a diwali day ( 17/10/09 ) to ascend the impregnable Madaksira fort. Last time around we wanted to trek this fort but could not in lieu of not finding a proper place to park our car safely. Moreover we were in a hurry to reach Pavgada Fort, which was our destination for stay. This time around it was only determination and guidance of 15 year old Hemanth who accompanied us as a guide. We took the unconventional escape route from the fort to ascend which is shorter. Who knew this path would be filled with thorny bushes, unsteady steps and literally a rock face with 60 degree inclination to ascend.




Once I almost tripped inside the throny bush pathway shaking me up for the first time. Next time around my wife was complaining of chest pain and she aborted the climb, I am happy she did it on the hindsight with her leather slipper it would have been impossible except with bare foot, which was not worth attempting, she went back to the base of the hillock. I decided we should go further up since we had hired a guide in Hemanth. Enroute I had to take 8 breaks to catch up with the steep ascent, and clicked some lovely photographs of the landscape and surroundings. At midpoint there was a steep rock face without support, my guide lent me a hand to ascend. But it would have been fatal if had transferred my full weight on his I would have dragged him down too. However I managed to tilt my weight on to the rock, in spite of it I had a dodge and landed with a slushy grass with water seepage from the Fort pond on top. We ascended further towards the top. At one place there was nothing to grip it was 12 feet high rock face with 60 degree incline with nothing to grip on the rock face. After studying and deeply analyzing the situation, I decided to risk my life for sake of surmounting the obstacle. This phase is only for professional climbers or to ascend with aids such as rope or railing or even a walking stick firmly held by someone from top. Maybe even a strong camera tripod would have been sufficient, but alas I had only umbrella with me. I just managed to cling on to the wild plants growing on the sides of the rock surface, there was only two gripping branches, and finally my guide lent me a helping hand from the top. This was absolute stunner for a 49 year obese personality.

Enroute I was fascinated by a manly face jutting out of the fort. The contours of the rockcut nose, mouth, teeth and forehead is amazing resemblance may be to a Roman warrior. I clicked snaps from all angle and used my resting time usefully. I gulped some butter milk which was laced with sufficient salt. The weather was becoming extremely hot, that too during winter time. I checked the time was 1 pm in the noon and my stomach was almost drained with energy. The only consolation since I consumed butter milk with salt, it helped to avoid muscle sprain which could have been fatal on such an ascent. But I decided never to descend by this pathway, which would have virtually impossible at the 60 degree inclination point with my rebok shoes, which had limited grip. We decided to travel through the main pathway which is neatly maintained with steps, but circuitous.



At the mid point of the fort, there is the Kings durbar hall, a devi temple and small pond wherein our guide dipped himself to cool his body. The water was greenish indicating unsafe for us. So I avoided taking bath, instead I was clicking away snaps to glory, with the landscape revealing the enterance to the fort and newly built Sai baba temple. I was surprised to find a lone foreigner lady from Finland who accompanied a batch of students from the orphanage at Mankapalli. All of them looked famished since they had ascended through the circuitous path. Even though I was shaken I was not stirred.

Location : Madakasira fort is located approximately 160 kms from Blore, one has to travel on NH7 the Hyderabad highway. There are two good places for breakfast, one is Brindavan, in chickballapur another Kamat restaurant at HP petrol bunk after chickballapur town. One has to take a deviation towards left just immediately after the Kondapalli Andhra check post and reach leepakshi and have a dharsan from Lord Veerabhadra to ascend Madaksira fort, which may have saved the day for me on hindsight. Madakasira fort is 45kms away from Leepakshi after Hindupur, where one can have a good lunch in two of the hotels, one his Paaya and other one is Parijata.


Thursday, October 8, 2009

AN ICONIC KING KRISHNADEVARAYA



An iconic king and so little is known about Krishnadevaraya. It is my endeavour to demystify the reign of Krishnadevaraya apart from his various victories in the battlefield, which is well covered in the annals of Indian History. The era wherein Hindu royalty was filled with multiple wives created intrigue, conspiracy and drama was the order of the day. Domingo Paes is probably the only eye witness of for the reign of Krishnadevaraya, during his visit in 1518-1520 to the empire which was later composed by Barros. He has written about his gallantary and leadership qualities but to weave a historical perspective with personal touch would be great dedication on the 500th anniversary of Krishnadevaraya ( 1509-1529 AD) the great.



The wily survivor of dynastic ambition of his step mother, who wanted her son to ascend the throne. She elicited promise from the dying king Vira Narasimha that he will get Krishnadevaraya’s eyes gorged so that he will be unfit to ascend the throne. Despite being a successful general of the army, Krishnadevaraya did not have burning ambition to ascend the throne. When his minister Timmarsu, convinced Krishnadevaraya to prepare himself to ascend the throne because the empire needed an able ruler to fight against the Turks. Timmarasu presented goats eye to convince the king that he had blinded Krishnadevaraya. Under the orders of the general the entire family of his step mother was taken into preventive custody so as to avoid controversy after the Kings demise.


During his crowning ceremony on 29th July 1509 Krishnadevaraya was anointed by holy water from rivers across the Vijaynagar Empire. ( Dates are debatable in the range of 6 months ) The priests conducted elaborate ceremonies to ward off evil spirits and invite the blessings of Lord Shiva, Vishnu and Brahma. The crowning ceremony was studded with grandeur and procession unknown to this part of the world. Krishnadevaraya was crowned by the high priest at the auspicious time. After coronation he inspected the entire battalion of elephantry, horsemen, cavalry marched in unison one after the other showing respect to the newly appointed King. The dancers performed to entertain the royalty. One courtesan was secretly deployed to kill the king on his accession to the throne. Appaji, he chief advisor, was aware of the conspiracy and had a back up plan to protect the king. When the courtesans came to entertain the king at night with a dagger in hand, she plunged the dagger straight into the heart. She struck a dummy and in the darkness felt the splash of the liquid. Suddenly the entire room was lit up and Appaji came and warned the courtesan and let her go free since it was a happy occasion. She was asked to keep mum during her entire lifetime regarding this incident.

Krishnadevaraya undertook a tight regime to keep his physical condition in shape. He used to get up early morning and exercise in the private gym with close confidants. He used to sharpen his skill of brandishing his sword fighting and ride horse swiftly across a short distance. He trained himself in martial arts and climbing the walls of the fort. The stunt which he wanted to badly master was to jump from his horse’s back and leap on to the elephant, which he did eventually after several attempts. In his anxiety to keep his physical fitness at the peak he sought advice regarding his diet. He fell into the trap of wrong advice of consuming half a litre of gingelly oil daily early in the morning on empty stomach, which became the ultimate cause for his untimely death at an age of 42 years after a reign of two decades. It may have been a conspiracy to get rid of Krishnadevaraya after his victory in the battlefield against the sultans. Krishnadevaraya eliminated his trusted lieutant Timmarsu who was suspected behind the poisoning of his son to death Thimmaraya.


The belief that every virgin queen would transmit energy to rejuvenate the king induced Krishnadevaraya to marry as many as 12 queen. Domingo Paes confirms this development stating that immediately on his accession to the throne, he was married to Three queens Thirumaladevi, Annapurna and Kamala devi. He also married his favorite courtesan during his teenage days Chinnadevi, when he was courting her secretly. He had fulfilled his promise at the appropriate time after coronation. The lineage of multiple marriage was almost akin to Lord Shiva’s erotic leanings and mating instincts. “ The belief was current that every virgin queen would transmit new energies to the Raja. Quote Mulk Raj Anand. The successful battle in the bedroom would propel the creative instinct of the king and find solutions to the tickling problem in administering his huge empire.

Despite being satiated personality in terms of sexual encounters Krishnadevaraya was known for his short temper. He was known to have insulted his enemies when they were defeated in warfare. Once he exhorted the Bahamani sultan to lick his dirty sandals as a mark of suzerainty after vanquishing them in the battle of kulburgi when he seized the Raichur Fort. ( May 19, 1520 ) He gathered enormous amount of wealth from the forts of Raichur and Gulbarga after defeating the sultans. He distributed the wealth to the temple trust of Virupaksha and Vittala complex. Some of the best jewelleries were distributed among the queens and courtesans alike to keep them in happy spirit.

Krishnadevaraya undertook guerilla type of activity during the night, he mingled with the ordinary folks and enjoyed a drink in their midst. Thus he gathered many a information regarding the public opinion on his reign. He did his own homework apart from the spy network which used to dish out information which was pleasing to his ears. Once he was given an information circulating in the Bahamani kingdom that soothsayers would warn people that a great king would take over their region and rule with an iron hand defeating the Bahamanis. This was music to his ears which prompted his to invade the Bahamani sultans and annex their territory.

PALACE OF KRISHNADEVARAYA :


How can we really believe Krishnadevaraya really ruled Vijayanagar empire unless we have an idea of the palace he lived ? The key to his greatness is construction of the iconic temples such Vittalla Complex, Hazar Rama temple and Mahanavami Dibba at Hampi. The empirical evidence culled out by Robert Swell is quite exemplary. The primary source of information on the contours of the Palace is derieved from the description of Domingo Paes ( 1518 – 1520 ) who was in awe struck by the beauty of the edifice which was just completed. The second source of information with regard to the palace decorations and interiors emanates from Leepakshi mural paintings. The third source is obviously the contemporary palaces built by the Vijaynagar emperors in the form of Penukonda, Chandragiri and the Nayak’s palace at Madurai.

The palace was obviously divided into the Public darbar area and private residential palace of the King and queens. The interiors of the durbar hall housed the Kings throne, and lavishly decorated wall hangings, such as stuffed Elephant, Tiger, Sambhars and wall paintings of the king hunting, battle scenes, mahanavami celeberations, etc. The ceremonial durbar was meeting place for the visitors and viceroys from other kingdom. The king used to entertain them after the official discussion with lavish parties, with ceremonial fireworks, dancing dramas, fancy dress parade etc. The riches of empire was displayed in the form of fashion parade by the courtesan wearing the jewellery, and elephants decked with precious stones. The visitors were captivated by stunning display of wealth and pomp


Private residential zone was to house a huge harem of courtesans and queens of the time. This area was strictly restricted for outsiders. Paes assumes there were 12,000 women including the ennuchs to please the King. There were 12 queens who were housed in individual chambers. No men were allowed to enter the queens chamber except the ennuchs who guarded them. The king used to place equal attention to all his queen in a sequential progress. This may have bought variety to spice of life. Chinnadevi received special attention of the king in terms of time spent during his voyeurs. Paes even though could not enter the premise managed to gather lot of information secretly, which the King was aware, but he let go the indiscretion. He knew his pompous lifestyle would be recorded in the annals of history.

A blend of Islamic and hindu style was adopted to build the palace and to quell the extreme heat generated during the summer months. The palace and durbar were built with a mezzanine structure with lot of natural ventilation and light. The king used to preside from the durbar hall and the sometimes the royal family members used to watch the proceedings from the balcony. The palace seems to have been fully lit with lamps and flowers during any festivity and the grandest was during dusherra. Why Krishnadevaraya adopted a blend of Islamic architecture is answered by his dealings with the arabs for trading horses prior to Portuguese treaty. This was a calculated move to appease the trading partners, and he may have even employed an Islamic architect is my conjecture.

The palace was well compounded with high boundary walls, since it housed the treasury of the empire. All the diamonds, gold, silver, and gems and stones were stored safely in an underground cellar which was opened only in the presence of the king. The currency chest was separate and it was handled by his trusted minister Appaji.

The closest virtual idea of the palace of Krishnadevaraya can be experienced by visiting Chandragiri and Madurai Nayaks palace. It is the combination of both which formed the crux of the Krishnadevaraya’s palace. The pictures uploaded are of Madurai Nayaks palace which had a close resemblance to Krishnadevaraya s palace.



Gladiators of Vijaynagar Empire :

Krishnadevaraya was constantly urged by his gurus to expand and keep his domain under check. The political strategist were very aware of the danger of the Moghul empire and the Bahmani sultans. He did not trust the Portuguese except for their trading interest. In his quest to build the finest army he recruited gladiators from various regions of his empire. One such was tribe was Mashti tribe who were nomadic tribes with a history of martial skills. They were well built with 6 feet height and well endowed body. Krishnadevaraya used their services in numerous wars against the Bahmani sultans. The role of the community was well recorded by the citation given by the king in 1515 to their ancestors who were recognized as dedicated and loyal soldiers of the Vijaynagar empire.

The authentic citation records an interesting incident which occurred in the presence of the king. Mala challenged the residents of a village in hampi to a bout of wrestling. The stake was fixed as the wives of the entire village to be given as per the directions of the king in case of defeat. The wrestling duel went on for 3 days and each and every villager who combated Mala was floored to the mat. Mala Masthi refused the prize of wives of the entire village unlike the Kauravas. He requested the king to honour with a citation signed by the emperor on a copper plate .



The copper plate is now with Kaki Rambabu, a Mala Masthi of Farijallipeta of Rajanagaram mandal. AP. S. Sudarshan, a teacher from the village, is credited with bringing this artefact to the limelight. Hindu 30TH October 2008

LEGENDARY TENALI RAMAN : The tales of the legendary wisecrack and witty Tenali Raman i am giving a go by just because it is well recorded and covered by historians. Maybe Krishnadevaraya thrived on his wisecracks after a difficult victory in the battlefield.


Naturally the legacy of Krishnadevaraya invited plenty of jealously among the Bahmani sultans who after the battle of Talikota in 1565 plundered and pillaged the palace for the treasures and artifacts collected by Krishnadeveraya after his victorious battles. It is rumoured that the wealth of the Vijaynagar empire was transported to the Bahmani kingdoms for more six months with the aid of more than 500elephants. The very citadel of Vijaynagar was destroyed beyond recognition.

Ack : Robert Swell, Hindu and other sources.

Wednesday, October 7, 2009

History and mystery of DIAMONDS


HOW DID HAMPI LOOSE IT DIAMOND TRADING CHARM? Many of us wonder if Hampi was the diamond trading capital how did it loose out on its primacy. My research took me to culling out information from various sources.

The diamond district in ancient times was located in the basin of Tungabhadra and Krishna rivers known as Raichur ( doab area ) The ancient rocky surface dating back to 3600 millions old was rich in precious stones such as gold and diamond. As early as 500 B.C, diamonds were discovered in deccan plateau.

Another interesting lesser known fact is that Indian diamonds were considered to best in the world from the ancient times. Kings were the main patronisers, who gave lease for diamond mining in Vijaynagar empire. Mining rights were given to nobles, under the condition that all diamonds above 34 carats will be surrendered to the king immediately as royalty. The monarch used to deploy spies and stooges in the mines to report discovery un-officially.

Van Linschoten, a Dutchman comments on Bisnagar ( Vijaynagar mis spelt) system of diamond lease, “ If anie man bee found that hideth anie such, he looses both life and goodes “ Forgotton Empire quote In this manner royalty ensured they had the possession of all the precious stone discovered, lesser carat diamonds were sold in the open market of Vijaynagar. The royalty used the diamonds for jewellery, rewarding loyal subjects, purchasing horses and weapons. Some of the finest diamonds were gifted to courtesans for their services rendered They adorned it as rings and necklaces depending on their patrons. It also ended the misery of courtesans, who committed suicide when they became old and unwanted. No wonder diamonds are classified as women’s best friend.








The Vijaynagar empire bought exclusive rights for trading in horses from the Portuguese after paying them a huge royalty. In turn for the finest horses and guns they gave them liberal trading terms on spices, sandalwood and precious stones. This helped the Vijaynagar ruler Krishnadevaraya to conquer most of the spice growing belt and trading harbours inorder to hold monopoly over all the produce exported from India.

Kohinoor diamond is fabled for its curse, was discovered in Golconda mines. It originally weighed more than 300 carats. It was later refined and cut to its present size of 240 carats. The british queen came to possess the prized jewel from East India company, who had in turn seized it from Maharaja of Patiala. Earlier Nadir used the turban trick exchange to take possession of Kohinoor “ meaning mountain of light”. Kohinoor has bought bad luck to all the men who possessed it in a gradual manner. Fable has it that only women can possess this diamond, without much adulation and grandeur. It should be worn occasionally, the british monarchy was aware of these facts. Only Queen Victoria & Elizabeth have lived long enough to escape its curse. The discovery of Brazilian diamonds changed the scenario in 1726. These diamonds were of slightly inferior variety, Portuguese traders bought it to GOA and started trading them in European markets as Indian diamonds. The discovery of Kimberly diamonds changed the equation in 1866. DE BEER’s cartelized diamond trading to reign in prices. The EAST INDIA COMPANY, started systematically taking possession of all the treasures by paying some royalty to the earstwhile kings. In fact when Robert Clive was recalled from India as Governor General he remarked in his impeachment trial “ There was so much to take from India, I regret that I have taken so miniscule “ DIAMONDS ARE FOREVER, without the treasures Hampi still manages to attract, tourists from all over the globe for its grandeur. Maybe someday someone may still manage to discover the hidden treasures of HAMPI on the rocks. More and more tourists try to re-live the era of Vijaynagar empire by witnessing Hampi Utsav.

Tuesday, October 6, 2009

MAHANANDI KSHETRAM BLESSED WITH UNDERGROUND SPRINGS




Water was literally flowing all round, the temple to the paddy fields and to the surrounding village. Just imagine the blessed land with 5 underground springs with crystal clear water, as if it is cleaner than RO water. The five springs are known as Srisailam Dhara, Narasimha Dhara, Nandi Teerta, Daivodini Dhara and and Kailash teerta all flow into the pond inside the temple.

LOCATION :




Mahanandi is located around 12kms away from Nandyal town in Kurnool district. It can be reached from Ananthpur via Tadipatri and Nandyal or on the reverse direction from Srisailam, via Giddlur, to Nandyal. Another route can be vide Gooty, Yaganti and Nandyal from Bangalore on NH 7.


The temple is located literally at the foot of the hills of Srisailam forest, naturally the locale is filled with scenary. The temple has three enterance and a ticket counter is located at the main enterance of the temple. The temple is closed between 1 to 3.30 Pm, one has wait for it to open. In the meanwhile one can check out the Nandi temples and other minor temples located in and around the place.


This main shiva shrine has a linga which is known as swayambu Linga, which is in the natural form, maybe found in the river bed. The pond within the temple premise is known as Rudra Kunda, where the devotees bathe with great devotion and gaiety. There is a small mantap at the centre with a Linga embedded.


Main gopuram is built in a typical Dravidian style of architecture, the blend of the north Indian and Jain architecture too is witnessed in the temple premises.

HISTORY


A number of dynasties have been associated with this temple. The temple has been under constant renovation from the times of Nanda king, son of Uttunga Bhoja, ruled over this region. The Mahanandeswara shrine was subsequently renovated by his descendents from 12th century onwards. One copper plate inscription refers to Veera Narasimha Raya from the Vijaynagar empire bestowing donations on the temple trust. The southern gate was erected in 1480 AD by Pinhaba Chetty in memory of his grandfather. The lizard symbol on the temple indicates that originally jains were responsible for contruction of the temple in the 7th century AD during the chalukyan reign. Within a radius of 16 km there are 9 nandi temples, which are known as Padma Nandi, Naga Nandi, Vinayaka Nandi, Garud Nandi, Brahma Nandi, Surya Nandi, Vishnu Nandi, Soma Nandi and Shiv Nandi. The town Nandyal is derived from Nandi Alayam.


Mahashivratri festivity is celeberated on a grand scale at Mahanandi. Piligrims flock this temple during Mahashivaratri in large number and during the sabrimala season too. Thus Mahanandi is a fine pilgrimage town for all hindus. I was surprised to find Muslims too visiting the temple and savouring the prasadams. There was objection by the watchmen when a lady wanted to enter the sanctum with burkha, she was asked to remove the burkha which seemed logical from security point of view. Thus the temple has secular leanings.

Currently there is some renovation activity being undertaken outside the temple premises. The boundary is being extended to signify the heritage site, which may have been much larger in area, till it was encroached by shopping complex.

Saturday, October 3, 2009

ARLEGUPPE KALLESWAR TEMPLE



Gerard Foekama has a written a comprehensive treatise of Hoysala temples which was published in 1996. The Chennakeswa temple is dated to be built around 1250 AD by Veera Someswara ( 1234-1254 AD ). This temple is being off track is relatively less visited by tourists. The temple is known as Kalleswara temple which is sculpted from bottom to top with a central gopuram.

The temple is constructed with 16 star angles with a khalasa on the dome of the temple. The sculpture panels are basically depictions from Ramayan and Mahabharat the two epics from Hindu mythology. The interior sanctum contains the image of Keshav which according to Gerard is not an original image because it is too small. Probably it must be adorning some museum abroad and instead an image has been replaced in its place which is most likely.


We took a detour from NH 47 towards Turuvekere temple and from there we took the K.B.Cross road which touches the Tiptur road on state highway. Before K.B.Cross near Bansandra we took a left towards Arleguppe railway station which is approx 7 kms. We reached an old temple from the Ganga dynasty which it looks from the outset. It is a shivalaya which has been completely painted and the heritage look is totally whitewashed. It was a disappointment nevertheless but the heritage plan with the dried lake tank was a great location.

In the melee of rushing towards Amritapura, we missed enquiring about the main Kalleswara temple and missed it totally. Therefore I had to take the help of Gerard Foekama’s description of temple to an extent. But next time around it will make me more wary and alert to enquire with the villagers and priests to ensure that we don t miss any heritage temple enroute. As a bonus we were able to cover Kadari hillock devi temple which may not be of hoysala heritage but can be dated to the Wodeyar era atleast. It was a pleasant trek of 100 steps to the hillock. The monolithic rocky structure with water tanks on the rocky bed and a small devi temple with Nandi’s adorning the boundary walls is a rustic environs. If one is short of time he can bypass this temple because it may cut 30 minutes of precious time to cover Amritapura enroute Banavara, and Hirnellur

Ack : courtsey templesofkarn

Tuesday, September 29, 2009

Painting in Black White, Tadapatri Temples

Generally we would like to see an oil painting in its fullest glory, with colours of rainbow well distributed on the canvas board. Metaphorically speaking the temples of Tadipatri reminds one of the rarest of rare black & white canvas with only a pencil and a sheet of white paper bring out the elements.




What the artisans from the Vijaynagar empire have attempted at Tadipatri is to been seen to be believed. Literally I had to reverse my vehicle and have an argument with my wife, who was reluctant that I should see these temples at any cost. It was worth the disagreement and at the end of the day she was happy that my instincts worked this time around for a change. We were delayed on reaching our sweet home by 1 hour but it was worth it.

LOCATION : Tadpatri is just 50 odd kms from Ananthpur on NH7 with a deviation from the town. But we approached this destination after visiting Gooty, Alampur, Ketavaram, Srisailam, Mahanandi, Yaganti, Belum and Tadpatri was a bonus on the return journey. Just imagine our luck we completed the trip despite the Petroleum Strike called by IOC Officers. This can reveal the dates of our travel for inquisitive readers.


HISTORY : Many a historians consider the two temples of Tadipatri as symbol of an era where artisans have perfected their skills in sculpting. Tiruvenkataswami temple is now known as Chintalaraya temple probably after Krishnadevaraya. This is the primary reason for scenes to be depicted from Mahabharat on the façade of the temple gopurams and citadel. However the balance of the gopuram was dislodged when a powerful lightening struck in 1851 AD due to the absence of earthing or grounding in the structure. The credit for building this temple goes to one Ramalinga Nayudu, a local feudatory of the Vijaynagar Empire.

Chintalraya temple has been resurrected by ASI considering the importance retaining the legacy of such fine piece of sculpting from Vijaynagar era. The Asthana Mantap is fine ornamented as it were with fine sculptures. It stands tall with 40 moulded pillars. The granite are in hues of grayish black. Some of the scenes depicted are King Dasartha performing Ashwamedha yagna, Hanuman talking to Ravana, Sita entering flames, Lord Krishna dancing on the legendary serpent are all depicting of the epics.

The Padmavathi Mantap was generally used as marriage hall for solemnizing marriages in ancient times. This temple can be compared to Virupaksha temple in Hampi but unfortunately the gopuram has collapsed due to elements of nature.


Bugga Ramalinga temple was never completed by the Thimmappa Nayudu due to invasion. Nevertheless Nature too conspired against this edifice by flooding in 1851 AD. The flood waters immersed the temple with waters from river Pennar and the southern tower collapsed under the weak foundation laid.

Bugga means a water spring in Telugu, due to which the temple name was christened as Bugga Ramalingeswara temple. The Linga on the temple premise is perennially fed by the spring.

The temple is built in typical Dravidian style with central columns supporting the roof and the pillars around providing the balance for the entire edifice. The Lion motif on some pillars add to the majestic appeal to the temple. The inscriptions speak of grants made by Achyutraya, Govindayya and Thimmaraya for maintainence and day to day expense of the temple.

Overall the visit to Tadipatri, which was originally a palm growing region due to which the name stuck is literally experiencing the finesse of Vijaynagar architecture. Check out the metaphor painting in black and white at Tadipatri temples.


Gajendragarh Fort got to be Shivaji Maharaj's Legacy




Well nothing like having a date with history and that too with Shivaji Maharaj’s fort after visiting all the royal monuments at Aihole,Badami and Pattadakal. One has to take the Gudlur route from Aihole, which is approx 30 kms and further onwards it is 22 kms one comes into Gajendragarh one of the massive forts. There two more fortifications enroute to this fort along with a Kalkakaleswar temple. The route is filled with caves and hillock, definitely indicating Neolithic mans civilization. Enroute one can witness a statue of unfinished Nandi partially painted with white paint.

The Kalkaleswar temple we avoided it seems to be another historic spot, sheerly because of paucity of time. Kalkaleswar temple is one of oldest Shiva temple, and it is known as Dhakshin Kashi too. One has to trek upto the temple, there is an Udbhav Ling, Veerabhadra temple, in the same premises. There is tank outside the temple which is also known as anthargange, the source of the water must be from the hillock above. There are some amazing myths associated with this temple, regarding the painting of the temple and bell vanishing act. It has to be swallowed with a pinch of salt, unless there are some tribes above the hillock still active.

Windmills : A series of windmills have been set up on the Gajendragarh fort premises, I am sure they have destroyed some portion of the historical monument. Of course this may be with the permission of the jagirdar Ghorpade, who is staying along with his family below the hillock. He may have leased the land to the Windmill owners for generating electricity. A ruined palace of the royalty, which is associated with Shivaji’s feudal lords is situated wherein besides the Jagirdar is currently residing. I hope he can get the palace renovated, it can become a beautiful heritage hotel and earn him life long income.

Gajendragadh were originally home to wolves and hyenas which have been driven out because of hectic high decible human activity. One can find Lambanis decked with fine jewellery If one can get a photo shoot op. please do not hesitate to click a picture. The Lambani costume is a real classic attire.

The fort walls are huge bordering along the Gajendra garh hillock, a water channel is being constructed around the fort hillock, hopefully one should find water next time around and a small bridge may be necessary to cross over. The climb to the fortress is around 140 odd steps. It is just enough for adventurer to scale. On top of the hillock one is welcomed by archway which is the enterance of the Fort. One can find a beautifully etched figure of Shivaji maharaj riding a horse. It might initially looked like a Chinese traveler, on close scrutiny one is bound to connect to Shivaji. Inside the fort one can find 4 watch towers and a huge tank which was meant for storing rain water. It has a couched Nandi and Lion on the wall as if guarding the precious water. The crystal clear water was partially filled due to good rainfall. There is also a small temple on the other side of the Fort. It is surprising that a garrison or buildings is totally absent in the fort. Maybe the limestone construction have collapsed. We met the watchmen who told us there is a nice route by through which one can drive right upto the hillock instead of climbing and another distant watch tower point is lovely spot. He also informed us that there is a dam little away from the fort. Overall it is quite an amazing experience to climb the Fort and have a birds eye view of the Gajendragarh town, which is quite a trading centre. The current palace of the king down on the hillock has some of the items of including a huge dummy tiger which is stuffed, along with some paintings. One has to approach the family diplomatically and one can get a peep into the history of Shivaji Maharaj reign.

A canal is under construction which may pass as a moat to the fort, this might enhance the architecture of the crumbling fort. The approach pathway needs to be cleaned up for a trek. I hope in future the Windmills are restricted and some landscaping is undertaken on fort premises. Overall a visit to Gajendragarh fort gives us the vibes of Shivaji's legacy. Next time around I would not like to miss Kalleswar temple, which too is steeped in mystery and history.

Monday, September 28, 2009

Yaganti Kshetra

Prologue : A group of Cavemen from the Neolithic times were hunting for wild boars and deer for a routine festivity during the full moon nights. They unfortunately lost their way and ran out of food stuffs in the form of banana and papaya. The entire group was tired and thirsty. They were in search of lake to quell their thirst. Suddenly a smart boy Yaga, who was getting inducted into the hunting routine spotted a spring. Everybody enjoyed the sweet water to their hearts content. They looked around the terrain and found it to be an idyllic spot to reside with 4 caves. All the elders patted Yaga on his back. Hurray it was discovery of the abode YAGANTI. It called for a grand celeberation on their return. An announcement was made by the chief that some of the families can shift to this newly discovered YAGANTI, which is blessed with plenty of fresh spring water. In those times land was absolutely free, no need of statutory registration or approval.



History : From the Neolithic mankind the baton was handed over to the Nandas who ruled over this territory, and later the Mauryas took over the reign after defeating the Nandas. Chandragupta Maurya ascended the throne in 323 B.C and spread his wings right upto Shravanbelagola. Later the Guptas and Satvahana dynasties ruled this region. South Indian dynasties of Pallavas and Cholas too reigned for some time, before Hoysalas and Vijaynagar kings took over. The contribution of Raja Raja Chola was limited to the main temple, one of the Gopuram was constructed by the Hoysala Kings, the credit to complete renovation of the temple should go to Bukkaraya in 1345 AD. The addition in the form of Pushkarni was installed by Krishnadevaraya around 1515 AD. After the fall of Vijaynagar empire, the Palegars took over the territory. Than the Bahmani Sultans took over and a Nawab was installed as the governor of the territory. Ultimately the territory passed on to the Nizams of Hyderabad under the British East India company.


Location : Yaganti can be reached through Gooty from Hyderabad towards Banagapalli. It can be approached through Kurnool also. The other route is via Srisailam, Mahanandi, Nandyal and Banagapalli. The third route from Bangalore is to travel via Anantpur, Tadpatri, Belum Caves, Banagapalli and Yaganti. The approach road is from Gooty to Yaganti. The approx distance from Bangalore is 270 kms and Hyderabad it is 340 Kms on NH 7. Yaganti is located exactly 17 kms from Banagapalli if one approaches from Ananthpur or Srisailam route.


Yaganti Kshetra falls under the jurisdiction of Kurnool district. Yagantiswamy is popular for its Shiva temple. A lingam adornes the main shrine. Some claim it was built according to the Vaishnav tradition. Umamaheswar, Parvathi and Nandi are the main deities in the temple. There is a pushkarni for devotees to take bath. It is better to avoid using soap while taking bath. The water is crystal clear and pure because of its flowing nature. Nobody is aware how the pond is blessed with plenty of water even during the summer. Generally the devotees have their bath before proceeding for dharshan.

Shivaratri is celeberated with grandeur and fervour. Devotees from all over AP visit the temple during Shivaratri festivity, which generally held in Feb or March every year. According to a myth sage agastya visited this kshetra and took bath and paid his respect to Lord Shiva. The Nandi seems to be growing in size every year by few mm. It is predicted when the Kaliyug ends Nandi will signify the end of evil domination in this world.

There are 3 cave temples across the spring located on the hillock. The Augustya Muni Cave is quite a steep 120 steps climb. One can find a Devi statue installed which is regularly worshipped. It is real adventure ascent on to the cave temple. The panaromic view of the entire Yaganti temple complex is stupendous from the vantage point on the cave. The steps are safe, one has to be little cautious during the rainy season. Aged people need support particularly when is nearing the peak. There is a resting point in the middle of the cave.

The second cave temple has a lingam and priest is busy helping the devotees with blessing and sermon if required. This cave temple is less steep than the first one. One has to be cautious with elders and children while reaching the top of the cave precincts.

Third cave is an ideal Neolithic mankind dwelling spot, it is accessible through a narrow modified door way. The cave is low level hardly 4 feet in height. It can be claustrophobic for some individuals, the ventilation is provided at the end of the cave. It is better to carry a torch or powerful light. There are lingam to be worshiped along with statue of Shiva.

A huge temple complex adjescent to the main temple complex is under renovation. This temple is quite huge and would be majestic to visit once the renovation is complete. A temple trust has 4 rooms for those who would like to experience Yaganti through the night. The next alternative for stay would be ideally at Kurnool. Gooty and Banagapalli has limited accommodation. Nandayal towards Prakasham district and Tadapatri are other alternative spots for stay.

Overall a visit to Yaganti is a refreshing religious and trekking experience, if one is adventurous one can visit the deserted Nawabs Palace enroute, Fort @ Banagapalli, Mosque within the complex and check out. If one needs further trekking check out the Gooty Fort and Kurnool Fort. Say Yes to Yaganti next time

Sunday, September 27, 2009

MADHUGIRI FORT, A Gowda Legacy

The construction of the original mudfort was undertaken by Raja Hira Gowda in the 17th century around 1670 AD. An interesting incident prompted the Gowda family to considering building a fortress. A stray sheep went missing around the Madhugiri hillock only to return late in the night dripping with water. This was music to the ears since a spring would definitely be welcome sign for rain deficient area. A decision to construct a fortress was arrived and the task was completed. The Gowdas started ruling this region based at Madhugiri Fort.



Genesis of the name Madhugiri is derieved from the Honeybee colonies which were prevalent in those days towards the northern parts of the Madhugiri fortress. There are two large temples located in Madhugiri one is Venkatramana and other is Malleswara. There is also a Jaina temple on the precints of the Madhugiri fort.

In 1678 Gowdas annoyed the Wodeyars of Mysore, and thereby inviting their wrath of non submission of revenue collected being feudatories. The king and the queen were taken prisoners to Srirangapatanam. Once they agreed to dutifully remit the share of the taxes collected they were sent back with honour to occupy their throne in Madhugiri. The Marathas invaded the territory and captured Madhugiri Fort and held it for 7 years. After that Hyder Ali invaded this region and captured the Fort in 1764 and commissioned alteration of the mud fort. He built a huge arch type enterance, which can be seen clearly after the renovation. The entire fort was fortified and watch towers were built in all directions. Secret tunnels were constructed inorder to quickly escape from the enemy in case surprise attacks.

It is rumoured that Hyder Ali collected huge wealth from this Fortress treasury. He threw out all the antiques and collected only gold. Tipu in commemoration of the victory renamed the town Fatehbad. The tax collected amounted to 6 lakh pagodas in this region. The heavy and oppressive tax regime literally ruined the region and people started migrating and ultimately it lost its grandeur, when it was re-captured by Marathas in 1791. But it was re-captured with the help of the British, with bandits who had been exiled. They fought a guerilla warfare and repulsed the Marathas. The fortress and the territory was used to house the prisoners of 1857 sepoy mutiny against the british. Later the British handed over the territory to the wodeyars.

The town Madhugiri never recovered its lost grandeur after the plunder by Marathas and Tipu Sultan. It lost its glory, but the Fortress stands a mute witness to the original glory of the township.

The fort is currently under renovation, we hope the lost splendour of the Fort will be salvaged. Madhugiri fort can be reached from Sira, or from Devandurga, or from Leepakshi, Hindupur, Pavgada.


Madhugiri Fort is truly Gowda familys legacy and behold the local MLA happens to be from the Gowda family.
So the saying goes history repeats itself
LOCATION : There are three routes to reach Madhugiri Fort. One is via dobbaspet or tumkur taking the korategere route and from thereon to Madhurgiri. Next is via Sira towards Madhugiri and last route is from Pavagada to towards Midigishi and Madhugiri. It can a ideal one day getaway from Bangalore covering Shivagange, Gornahalli, Devandurga and Madhugiri.

For photo uploads check this link : http://indiabackpacker.blogspot.com/search/label/Madhugiri%20fort

Amritapura an ancient hoysala temple





A typical Ekuta temple built in Hoysala style without Platform on all four sides. This temple was built by Amrutheswara Dandanayaka, commander of the king Veera Ballal II. Since the commander hailed from nearby town of Tarikere he wanted a monument to adorn his hometown. He had selected an idyllic spot near the river Bhadra, but safely away from it fury and flooding. The entire landscape looks like a garden neatly carpeted with grass and surrounded by coconut and arecanut trees.



The grandeur of the temple is multiplied by its low compound wall and statues embedded on the wall. Various figures of god and godesses in oval shaped stones are sculpted and placed to enhance the beauty of the temple. This temple was in dire status two years ago, when I read a report in the newspaper, but now the looks of it gives us an impression it should be deemed as world class heritage like Hampi. The renovation with regard to plugging the leakages and crumbling edifice is an ongoing process.


On the façade of the temple various scenes from Ramayana, Lord Krishna’s life and Mahabharat are embedded in stone format. There are approx 70 panels of Ramayan on the south façade of the temple, 25 panels of Lord Krishna’s life on the Northern portion and 45 panels of Mahabharat on the Western side of the temple walls.



The interior of the temple is laid out with lathe finished pillars with the the ceiling decorated in floral and geometric designs largely. There are shiv lingas projecting out of the circular ceiling. In my opinion these architectural innovation gave the stability for the dome of the temple. Various deities are embedded on the walls of the temple inside the main mantap.





Ruvari Mallitamma was the chief architect, who started his working career by finishing the gopuram of the temple. The Hoysala symbol of sala slaying the tiger is embedded on the temple as a signature of the times in which it was built.



Due to heavy lashing rain I was carried away by the absolute stunner of the visual unfolding before my eyes. Another concern was the protection of the digital camera which can be spoilt by water seepage. Nevertheless I captured some video shots which is a consolation. The light conditions was absolutely murkier.



Location : Amritapura can be reached vide NH 206 approximately 250 kms from Blore. The nearest detour is from Tarikere towards Amritapura on the highway. We took an unusual route because we had to cover Hirenallur Mallikarjun swamy temple from Areleguppa, we touch Banavar, and than onwards we deviated close to Kadur to Hirenallur and from there to Ajjampur junction and than we proceeded towards Amritapura. The roads were treacherous. It can also be reached from Bhadravathi.

Saturday, September 26, 2009

Uchangidurga Fortress


Uchangidurga during the Kadamba time was known as Uchchasringi. A great battle between a Pallava King named Nanakkdas and kadamba king Krishnavarma was fought in this very place according to 4th century inscription found at Anaji. The latter suffered a huge defeat at the hands of the Pallavas. He had to retreat to Banavasi as a consequence. Later Chalukyas reigned surpreme and bought this area under their control. They defeated Pallavas who had occupied the territory and chased them further south. In the middle of 12th century when Chlaukyas became weak and fading Pandyas took charge of this region. Tribhuvana Malla Pandya, Vijay Pandya Deva, Vira Pandya Deva, ruled over the region. Uchangidurga was the capital of the Pandyas, who claimed to be from Yadav race and their capital was Kanchipuram.

Hoysalas took charge of this territory by defeating the Pandyas in the 12th century. King Vishnuvardhana routed them in the battle and he took charge of the strategic Uchangidurga fort. After the fall of Hoysalas the Vijaynagar rulers took over and dominated the region and it was given to Nayaks to govern. Hanumappa Nayak was the first to govern, later followed by Timmana Nayak. Timmana Nayak was considered to be courageous and daring soldier. He once sneaked into the enemy camp and rode off with horse of the general. This earned him instant recognition by the Vijaynagar emperor. He was asked to lead the army against Gulbarga sultanate. He was successful in defeating the Bahmani sultans. Thereafter in recognition of his feat he was given to take charge of Uchangidurga. But he abducted a courtesan from the Vijaynagar empire and incurred the wrath of the emperor. He escaped to Miyakonda and than to the jungles of Guntanur. He was ultimately forced to surrender at Rangapatna. He was imprisoned at Chitradurga Fort for his treason.


His son Obana Nayak was installed to the throne at Chitradurga. After the fall of Vijaynagar Empire in 1565 he assumed the title of the famous Madakeri Nayak. He declared his independence and than constructed the famous fort at Chitradurga, Kallina kote. Thus Uchangidurga formed a pivot during the reign of the Nayaks. Many a battles were fought constantly.

This territory was sandwiched between the Marathas and Hyder Ali. Some of the Nayaks took protection under Marthas and soon this region was captured by Hyder Ali. Thereafter Tipu Sultan took over the territory till 1799 AD when he was defeated by the British in the anglo mysore war.




CURRENT SCENARIO :

Uchangidurga is now a crumbling edifice. Heavy rainfall and human encroachment have taken its toll on the the majestic fort, which is spread more than 5 kms from one end to the other. There is a concrete road leading almost upto midway to the Fort, from there the trek is nice and cosy. The entry portion of the fort walls seems to have literally vanished. Enroute one can find the soldiers quarters, where horse and elephants too were stationed. All these edifices have crumbled and peasants have taken over literally.

The trek to the fort is hardly 30 minutes. Some of the interesting points are Kings Palace, Queens Palace, Uchangi Devi Temple, Wells and Ponds, Staying place for tourists who seek adventure and some resting places.

One can have a wonderful view point from the temple premise. The entire landscape surrounding can be viewed. The ancient temple has been however painted atrociously without considering its heritage value. Pooja takes with the help of priests. There is a jatra during January.

We were guided by 3 exhuberant boys, they took us all the way explaining the relevance, one can find drawings or elephant and cow on the fort walls. The queens palace is opened only on Mondays, even Kings palace gates are open on Mondays. It is strange routine, there is a mufti clothed security with wireless set stationed at the fort.

There was very little information on the net with regard to such a magnificent Fortress. I got some clue from HOTFIX from Team BHP but that did not satisfy my curiousity, I started digging deep and found an official gazetteer published and from thereon I gathered a comprehensive information on the history of the Fortress.

Renovation to the fort is proposed by the state govt. to save the heritage. A mutt is scheduled to come up inorder to protect the interest of the Piligrims. May a rest house is in the offing. Otherwise accommodation is available in plenty in Davangere.

LOCATION :


30 Kms from Davangere on the Annaji route and take a left turn the fort is visible from the junction. There is a route from Alur deviation too, which is not recommended since the road condition is bad. The road proceeds toward Jaglur.